Zum ersten Mal seit 2017 feiert kein einziger Film eines großen Hollywood-Studios im Programm des Cannes Filmfestivals Premiere. Weder Christopher Nolans The Odyssey noch Steven Spielbergs Disclosure Day noch Alejandro González Iñárritus Digger wurden an der Croisette gezeigt.
It has not been that long, but a new type of a tourist has already taken shape – a cinematic one. The kind who arrives in a city with scenes from the favorite films in mind rather than monuments.
The notion of “generation” in photography is often reduced to stylistic difference or cultural stereotype. Yet more significantly, it marks a shift in the underlying logic of image-making.